International conference: DIME - Creative Industries Observatory (CIO) - Birkbeck
Submitted by Birgitte Andersen on 22 September, 2007 - 18:58.
The Creative Industries and Intellectual Property
CONFERENCE CALL for papers and participation: (download call).
NEW! PICTURES
NEW! DOWNLOAD PROGRAMME
NEW! DOWNLOAD LIST OF PARTICIPANTS
Dates to note:
- THE CONFERENCE: May 22-23, 2008
- Abstracts should be submitted no later than January 31st 2008. However, as abstracts are evaluated upon submission please submit early to avoid disappointment. Submit to IPRevent@bbk.ac.uk
- Full papers should be submitted no later than March 15th 2008. Submit to IPRevent@bbk.ac.uk.
Conference venue: Birkbeck College, Bloomsbury, London, UK
- The conference takes place in the Clore Management Centre, Torrrington Square, Birkbeck College at the University of London. This is in the historical area or cultural centre of London known as Bloomsbury.
Registration: Download REGISTRATION form (in WORD)
Accommodation: (list of hotels (PDF) nearby the conference venue)
Organizers: Dr Birgitte Andersen and Dr Anna Dempster
Conference contact: IPRevent@bbk.ac.uk
Sponsors:
- Dynamics of Institutions and Markets in Europe (DIME) Network of Excellence (Dr Birgitte Andersen)
- Birkbeck College (University of London) Fellowship Grant (Dr Anna Dempster)
- Creative Industries Observatory (CIO) (Professor Simon Roodhouse)
Selected confirmed speakers:
- Yuko Aoyama (Clark University)
- Diana Barrowclough (UNCTAD, United Nations)
- John R. Bryson (University of Birmingham)
- Dimiter Gantchev (World Intellectual Property Organization, WIPO)
- Johanna Gibson (Queen Mary Intellectual Property Research Institute, University of London)
- Ove Granstrand (Chalmers University of Technology)
- Paul J. Heald (University of Georgia)
- Michael Jacobides (London Business School)
- Zeljka Kozul-Wright (UNCTAD, United Nations)
- Martin Kretschmer (Centre for Intellectual Property Policy & Management, Bournemouth University)
- Joseph Lampel (Cass Business School, City University)
- Mark Lorenzen (Copenhagen Business School)
- Fiona Macmillan (Birkbeck School of Law, Univeristy of London)
- Nelson Phillips (Tanaka Business School, Imperial College)
- Jason Potts (ARC Centre of Excellence for Creative Industries and Innovation (CCi), Queensland University of Technology)
- Dominic Power (Uppsala University)
- Koleman Strumpf (University of Kansas School of Business)
- Peter Yu (Intellectual Property Law Centre, Drake University Law School)
PAPERS: Can be downloaded from the online programme below
Publication plans:
- All papers will be uploaded on the conference web site
- If qualified, you paper will automatically form part of the DIME working paper series on INTELLECTUAL PROPERTY RIGHTS
- The best papers presented at the conference will be selected for publication in a special issue of a refereed Journal or edited books
- The best papers from the conference will also be invited for submission to the CREATIVE INDUSTRIES JOURNAL (see below)
Editors of the following journals will attend the conference:
- The Creative Industries Journal
- Industry and Innovation
- Economic Geography
- Regional Science Policy and Practice
- ... (if you are the Editor of a journal attending the conference, please let us know by emailing IPRevent@bbk.ac.uk
PROGRAMME STRUCTURE (See further below for full programme)
One session is 1 hour and 45 minutes: Each person/paper has 15 min to present. After all presentations there is 30 minutes for questions and general debateDay 1: May 22, 2008 8:00 – 9.00: Conference registration9:00 – 9:15: Welcome 9:15 – 10:45: Plenary 1 10:45 – 11:15: Coffee and tea 11:15 – 13:00: Plenary 2 13:00 – 14:00: Lunch 14:00 – 15:45: Parallel 3A and 3B 15:45 – 16:15: Coffee and tea 16:15 – 18:00: Plenary 4 19:30: Conference dinner | Day 2: May 23, 2008 9:00 – 10:45: Plenary 5 10:45 – 11:15: Coffee and tea 11:15 – 13:00: Plenary 6 13:00 – 14:00: Lunch 14:00 – 15:45: Parallel 7A and 7B 15:45 – 16:15: Coffee and tea 16:15 – 18:00: Plenary 8 FOLLOWERED BY: 18:00: Conference conclusion and Champagne reception |
NEW: PROGRAMME
- papers can be downloaded below
DOWNLOAD PROGRAMME (FINAL VERSION)
MAY 22, 2008
8:00 – 8:45
CONFERENCE REGISTRATION
8.45 – 9.00
WELCOME
• Birgitte Andersen on behalf of the organizers
9:00 – 10:45
PLENARY 1: Intellectual Property Users in the Creative Industries
Chair: Anna Dempster: Birkbeck College, University of London (UK)
1. Creativity and the public domain (abstract) (paper) (slides)
• Fiona Macmillan: Pro Vice Master for Research at Birkbeck College, University of London
2. Structural changes in the music industry and the opportunities for the least developing countries: experiences from the UN (abstract) (paper) (slides)
• Zeljka Kozul-Wright: UNCTAD, United Nations (Switzerland)
• Diana Barrowclough: UNCTAD, United Nations (Switzerland)
3. The effect of file sharing on the sale of entertainment products: the case of recorded music and movies (abstract) (building upon this paper)
• Felix Oberholzer-Gee: Harvard University (USA)
• Koleman Strumpf: University of Kansas (USA)
4. The effect of music downloading and P2P filesharing on the strength of the copyright (abstract) (paper) (shorter version of paper) (slides)
• Birgitte Andersen: Birkbeck College, University of London (UK)
• Marion Frenz: Birkbeck College, University of London (UK)
10:45 – 11:15
BREAK: COFFEE AND TEA
11:15 – 13:00
PLENARY 2: Winning Responses to Creative Industries Uncertainty
Chair: Helen Lawton Smith: Head of Management Department, Birkbeck College, University of London (UK)
1. IPRs for creativity in the world economy: experiences from the WIPO (abstract) (paper) (slides)
• Dimiter Gantchev: World Intellectual Property Organization (WIPO) (Switzerland)
2. Intellectual property rights and industry evolution: The case of the recorded music industry (abstract) (paper) (slides)
• Joseph Lampel: Cass Business School, City University (UK)
• Ajay Bhalla: Cass Business School, City University (UK)
• Jha Pushkar: University of Newcastle Business School (UK)
3. The difference principal: shaping competitive advantage in the cultural product industries (abstract) (paper) (slides)
• Dominic Power: Uppsala University (Sweden)
4. Understanding fashion entrepreneurship (abstract) (paper) (slides)
• Nelson Phillips: Imperial College (UK)
• Neri Karra: London College of Fashion, University of the Arts London (UK)
5. Entrepreneurial reactions to uncertainty in the creative industries (abstract) (paper)
• Anna Dempster: Birkbeck College, University of London (UK)
13:00 – 14:00
BREAK: LUNCH
14:00 – 15:45
PARALLEL SESSION 3A: Markets and Appropriation
Chair: Elena Kosmopoulou, The University of Manchester (UK)
1. “Monometapoly: the economic impact of the recording industry on the music market” (abstract) (paper)
• Thierry Rayna: Imperial College (UK)
• Ludmila Striukova: University College London (UK)
2. Solutions to P2P copyright crisis (abstract) (paper) (slides)
• Xie Lin: Chinese University of Hong Kong (China)
3. Game is not over yet: software patents and their impact on video game industry in Europe (abstract) (paper) (slides)
• Yan Huang: National University of Singapore (Singapore)
4. Piracy and outlaw community innovations (abstract) (paper) (slides)
• Stefan Wagner: University of Munich (Germany)
• Celine Schulz: University of Munich (Germany)
5. Marketing strategies for the protection of global TV formats (abstract) (paper) (slides)
• Sukhpreet Singh: Bournemouth University (UK)
PARALLEL SESSION 3B: Dynamics of Creative Organizations
Chair: Reinhard Bachmann, University of Surrey (UK)
1. Swarm creativity - The legal and organizational challenges of open content film production (abstract) (paper) (slides)
• Irene Cassarino: Politecnico di Torino (Italy)
• Wolf Richter: University of Oxford (UK)
2. IPR and "open creativity": the cases of videogames and of music industry (abstract) (paper) (slides)
• Laurent Bach: Universite Louis Pasteur, Strasbourg (France)
• Patrick Cohendet : Universite Louis Pasteur, Strasbourg (France)
• Julien Pénin: Universite Louis Pasteur, Strasbourg (France)
• Laurent Simon: Universite Louis Pasteur, Strasbourg (France)
3. The dubbing standard: its history and efficiency implications for film distributors in the German film market (abstract) (paper) (slides)
• Miika Blinn: Free University of Berlin (Germany)
4. Networks, creativity and all that jazz (abstract) (paper) (slides)
• David Grandadam: Universite Louis Pasteur, Strasbourg (France)
5. Control of creativity-dependent work settings. Direct and indirect effects of creative task characteristics on control system design (abstract) (paper)
• Isabella Grabner: Wirtschaftsuniversität Wien (Austria)
15:45 – 16:15
BREAK: COFFEE AND TEA
PLENARY 4: Stakeholders in the creative economy and IP regulation
Chair: Lee Davis: Copenhagen Business School (Denmark)
1. Creative Industries and Digital Copyright Reform (abstract) (building upon this paper. Conference paper up soon)
• Peter Yu: Drake University (USA)
2. Copyright and authors (abstract) (building upon this paper. Conference paper up soon)
• Martin Kretschmer: Bournemouth University (UK)
3. Copyright and creativity (abstract) (paper)
• Johanna Gibson: Queen Mary, University of London (UK)
4. Fair copy? A look at the anti-counterfeiting lobby (abstract) (paper)
• Stuart Macdonald: Sheffield University (UK)
• Tim Turpin: University of Western Sydney (Australia)
5. Beyond creative industries: mapping the creative economy in the United Kingdom (abstract) (paper) (slides)
• Peter Higgs: Queensland University of Technology (Australia)
• Stuart Cunningham: Queensland University of Technology (Australia)
• Hasan Bakhshi: National Endowment for Science, Technology and the Arts (NESTA, UK)
19:30
CONFERENCE DINNER at Courthouse Kempinski
• Buffet will be served in Courtroom no 1 (named the Silk Room) and the Victorian waiting room where the great (Napoleon III, Oscar Wilde) and famous (John Lennon, Mick Jagger) and not so good pleaded their case.
• Before or after the dinner you may wish to visit the prison cells, which today is connected to a contemporary bar.
MAY 23, 2008
9:00 - 10:45
PLENARY 5: Creative industries and Competitiveness
1. Management research priorities in the creative Industries: a consultative review (abstract) (paper)
• Jonathan Sapsed AIM: University of Brighton (UK)
• Juan Mateos-Garcia Research Officer, University of Brighton (UK)
• Richard Adams: University of Brighton and Cranfield University (UK)
• Andy Neely: Cranfield University (UK)
2. “Defining the Creative Industries – their role in London and beyond” (abstract) (paper)
• Simon Roodhouse: Director of the Creative Industries Observatory (CIO)
3. Enterprise by ‘industrial’ design: creativity and competitiveness in the Birmingham (UK) jewellery quarter (abstract) (paper)
• John R. Bryson: The University of Birmingham (UK)
• Michael Taylor: The University of Birmingham (UK)
4. Testing the over- and under-exploitation hypotheses: bestselling musical compositions (1913-32) and their use in cinema (1968-2007) (abstract) (paper)
• Paul J. Heald: University of Georgia (USA)
5. The dynamics of industry architecture (building upon this abstract and those papers (uploading permission assured by author): paper & paper)
• Michael G. Jacobides: London Business School (UK)
10:45 – 11:15
BREAK: COFFEE AND TEA
11:15 – 13:00
PLENARY 6: Creativity, innovation and performance
Chair: Richard Coopey: The London School of Economics and Political Science (LSE), and Aberystwyth, The University of Wales (UK)
1. Do trademarks and design registration provide a better perspective on national innovation activity? (abstract) (paper)
• Finbarr Livesey: University of Cambridge (UK)
• James Moultrie: University of Cambridge (UK)
2. User involvement, industry life cycle and lock-in: the case of the Japanese video game industry (abstract) (paper) (slides)
• Yuko Aoyama: Clark University (USA)
• Hiro Izushi: Aston University Birmingham (UK)
3. Intellectual property and the music cluster organization new paradigm: agents’ motivations and creativity (abstract) (paper)
• Pedro Costa: ISCTE/DINÂMIA – Research Centre on Socioeconomic Change (Portugal)
• Nuno Teles: ISCTE/DINÂMIA – Research Centre on Socioeconomic Change (Portugal)
• Bruno Vasconcelos: ISCTE/DINÂMIA – Research Centre on Socioeconomic Change (Portugal)
4. Conditions of success and failure of collaborations between business firms and design consultancies: the designers' perspective (abstract) (paper)
• Davide Ravasi: Bocconi University (Italy)
• Alessia Marcotti: Bocconi University (Italy)
• Ileana Stigliani: Bocconi University (Italy)
5. Culture, creativity and innovation in the Internet age (abstract) (paper)
• Alan Freeman: Greater London Authority, London Development Agency (UK)
13:00 – 14:00
BREAK: LUNCH
14:00 – 15:45
PARALLEL SESSION 7A: Industry structures, IP institutions and capabilities
Chair: Dean McFarlin: University of Dayton (USA)
1. What is critical to success in the movie industry? A study on key success factors in the Italian motion picture industry (abstract) (paper) (slides)
• Paolo Boccardelli: Luiss Guido Carli University (Italy)
• Federica Brunetta: Catholic University of Rome "Sacro Cuore” and Luiss Guido Carli University (Italy)
• Francesca Vicentini: University of Bologna and Luiss Guido Carli University (Italy)
2. Technology, copyright law and the future: the Australian contemporary music industry (abstract) (paper) (slides)
• Ben O'Hara: Box Hill Institute (Australia)
3. Digital technologiess and the conundrum of copyright and choreography (abstract) (paper) (slides)
• Tatjana Byrne: Birkbeck College, University of London (UK)
• Soo Hee Lee: Birkbeck College, University of London (UK)
4. Does rule of royalties facilitate dynamic capabilities of digital distribution management system? (abstract) (paper) (slides)
• Jong-Seok Kim: Manchester Business School (UK)
5. The concept of intellectual property in Germany - between culture production and creative industries (abstract) (paper)
• Christiane Schnell: University of Bremen (Germany)
PARALLEL SESSION 7B: Fashion and Trends in the Creative Industries
Chair: Mahtab Farshchi: South Bank University of London (UK)
1. Intellectual property rights on creativity and heritage: the case of fashion industry (abstract) (paper) (slides)
• Christian Barrère: Université de Reims (France)
2. Creativity in Second Life: The virtual world as a site of experimentation for fashion start-ups (paper) (slides)
• Sofia Gkiousou: Birkbeck College, Universtiy of London (UK)
3. Author's right and creative incentives: the case of gastronomy (abstract) (paper) (slides)
Veronique Chossat: University of Reims (France)
4. Creativity and intellectual property in the advertising industry: a case study from Turkey (abstract) (paper)
• Ozlem Kacar: Istanbul Bilgi University (Turkey)
• B.Can Karahasan: Istanbul Bilgi University (Turkey)
5. Entrepreneur’s size limiting strategy in micro design businesses in London’s design cluster (abstract) (paper) (slides)
• Rachel Smart: Birkbeck College, University of London (UK)
15:45 – 16:15
BREAK: COFFEE AND TEA
16:15 – 18:00
PLENARY 8: Institutions and the Organization of Creativity
1. Creativity in context: content, cost, chance and collection in the cultural industries. Examples from the film industry(paper) (slides)
• Mark Lorenzen: Copenhagen Business School (Denmark)
2. A discursive approach to entrepreneurship and the emergence of organizational fields (abstract) (paper)
• Raghu Garud: Pennsylvania State University (USA)
• Theresa Lant: New York University (USA)
• Henri A. Schildt: Imperial College London (UK)
3. Between fan culture and copyright infringement: Manga scanlation (abstract) (paper)
• Hye-Kyung Lee: Kings College, University of London (UK)
• Lucy Montgomery: Queensland University of Technology (Australia)
• Jason Potts: Queensland University of Technology (Australia)
5. Creativity and IP in arts and sciences - some economic puzzles and paradoxes (abstract) (paper) (slides)
• Ove Granstrand: Chalmers University (Sweden)
18:00
CONFERENCE CONCLUSION AND
CHAMPAGNE RECEPTION
